(Oil in canvas, 32 in. x 40 in., Price: $ 3,780 / Giclee: $ 280)
Abstract is a lot of work. Contrary to many people's belief, painting abstract is more difficult than concrete. I love listening to people's comments about the forms, animals or pieces of a body that they see in a painting. They surprise and teach me all the time
(Oil in canvas, 36 in. x 72in., Price: $ 5,400 / Giclee: $ 350)
Inspired in the book Little Prince by Antoine de Saint-Exupery, this piece is part of a series called "Links" and is about the connections with others based on love, trust, friendship and loyalty
(Oil in canvas, 36 in. x 72in., SOLD)
Inspired in the book Little Prince by Antoine de Saint-Exupery, this piece is part of a series called "Links" and is about the connections with others. The links are what make a common subject unique
(Oil in canvas, 32 in. x 32 in., Price: $3,070 / Giclee: $ 265)
When I paint, time and space do not exist, only colors are present
(Oil in canvas, 32 in. x 32 in., SOLD)
I am free when I paint. I like to compose forms. I like to paint stories, especially stories with movement – the capture of movement is really important!
(Oil in canvas, 39 in. x 20 in., Price: $ 2,370 / Giclee: $ 200)
Other times, the mix of colors, contrasts, points and lines take their own form. I can feel that the red lines are warmer than the blue ones. I can assess the lines by themselves despite not having a clear form
(Oil in canvas, 40 in. x 32 in., Price: $ 3,780)
The colors show up in my retina and then I think how to put them on a canvas
(Oil in canvas, 24 in. x 32 in., Price: $ 2,370)
The color palette depends of the painter´s state of mind. In my case, the color palette changes all the time and I sometimes wonder whether I should have a ¨line¨
(Oil in canvas, 40 in. x 30 in., PRIVATE COLLECTION)
Sometimes everything is well defined and the paint becomes clear and shows concrete things like mountains, ships and water
(Oil in canvas, 20 in. x 40 in., Price: $ 2,400 / Giclee: $ 200)
My inspiration comes from simple things, emotions and objects. In these sense I do resemble the Architect because sometimes I can envision the first and last pieces of a series and I start filling the gaps
(Oil in canvas, 24 in. x 28 in., PRIVATE COLLECTION)
I prefer the spatula to the brushes; it gets me in a playful mood. I feel secure when I can hold a spatula
(Oil in canvas, 28 in. x 24 in., Price: $ 2,080 / Giclee: $ 105)
Differently than composing an Architectural piece, where I integrate the whole and details at the same time, painting is about mixing colors and letting forms to emerge
(Acrylic in canvas, 32 in. x 47 in., Price: $ 4,100)
I wish I could say that a topic inspires me but it is not the case
(Oil in canvas, 32 in. x 47 in., Price: $ 4,500 / Giclee: $ 300)
Oil is good, transparent and noble. I respect oil´s history and technique. Smelling oil makes me happy
(Oil in canvas, 20 in. x 27 in., Price: $ 1,620)
I would love to say that I follow an ¨artistic line¨ but it not the case
(Oil in canvas, 20 in. x 27 in., Price: $ 1,620)
Despite not having a "line", I can say that I love to paint with oil
(Oil in canvas, 20 in. x 27 in., Price: $ 1,620)
I love to study the Masters and learn from them. Gustav Klimt is one of my favorites
(Oil in canvas, 8 in. x 10 in., Price: $ 880)
Departing from a Master's ideas is a good for learning but you must pay tribute to them
(Oil in canvas, 10 in. x 8 in. each, Total Price: $ 1,200 )
My interpretation of Wheatfield with Crows
(Oil in canvas, 8 in. x 10 in., Price: $ 880)
My interpretation of Impresion: Sunrise
(Oil in canvas, 8 in. x 10 in., Price: $ 880)
The trick on this one was that I had to use only two colors
(Oil in canvas, 8 in. x 10 in., Price: $ 780)
Once again, playing to work just with two colors
(Oil in canvas, 8 in. x 10 in., Price: $ 780)
Quick painting after a whole day at the beach with the family, when the colors are still fresh in the retina
(Oil in canvas, 8 in. x 10 in., Price: $ 780)
Inspired by a sculptured maid by my niece, Lucila Diebra, about how we can let our ideas flow despite feeling gaged and blinded
(Oil in canvas, 32 in. x 40 in., Price: $ 3,780 / Giclee: $ 280)
Abstract is a lot of work. Contrary to many people's belief, painting abstract is more difficult than concrete. I love listening to people's comments about the forms, animals or pieces of a body that they see in a painting. They surprise and teach me all the time
(Oil in canvas, 36 in. x 72in., Price: $ 5,400 / Giclee: $ 350)
Inspired in the book Little Prince by Antoine de Saint-Exupery, this piece is part of a series called "Links" and is about the connections with others based on love, trust, friendship and loyalty
(Oil in canvas, 36 in. x 72in., SOLD)
Inspired in the book Little Prince by Antoine de Saint-Exupery, this piece is part of a series called "Links" and is about the connections with others. The links are what make a common subject unique
(Oil in canvas, 32 in. x 32 in., Price: $3,070 / Giclee: $ 265)
When I paint, time and space do not exist, only colors are present
(Oil in canvas, 32 in. x 32 in., SOLD)
I am free when I paint. I like to compose forms. I like to paint stories, especially stories with movement – the capture of movement is really important!
(Oil in canvas, 39 in. x 20 in., Price: $ 2,370 / Giclee: $ 200)
Other times, the mix of colors, contrasts, points and lines take their own form. I can feel that the red lines are warmer than the blue ones. I can assess the lines by themselves despite not having a clear form
(Oil in canvas, 40 in. x 32 in., Price: $ 3,780)
The colors show up in my retina and then I think how to put them on a canvas
(Oil in canvas, 24 in. x 32 in., Price: $ 2,370)
The color palette depends of the painter´s state of mind. In my case, the color palette changes all the time and I sometimes wonder whether I should have a ¨line¨
(Oil in canvas, 40 in. x 30 in., PRIVATE COLLECTION)
Sometimes everything is well defined and the paint becomes clear and shows concrete things like mountains, ships and water
(Oil in canvas, 20 in. x 40 in., Price: $ 2,400 / Giclee: $ 200)
My inspiration comes from simple things, emotions and objects. In these sense I do resemble the Architect because sometimes I can envision the first and last pieces of a series and I start filling the gaps
(Oil in canvas, 24 in. x 28 in., PRIVATE COLLECTION)
I prefer the spatula to the brushes; it gets me in a playful mood. I feel secure when I can hold a spatula
(Oil in canvas, 28 in. x 24 in., Price: $ 2,080 / Giclee: $ 105)
Differently than composing an Architectural piece, where I integrate the whole and details at the same time, painting is about mixing colors and letting forms to emerge
(Acrylic in canvas, 32 in. x 47 in., Price: $ 4,100)
I wish I could say that a topic inspires me but it is not the case
(Oil in canvas, 32 in. x 47 in., Price: $ 4,500 / Giclee: $ 300)
Oil is good, transparent and noble. I respect oil´s history and technique. Smelling oil makes me happy
(Oil in canvas, 20 in. x 27 in., Price: $ 1,620)
I would love to say that I follow an ¨artistic line¨ but it not the case
(Oil in canvas, 20 in. x 27 in., Price: $ 1,620)
Despite not having a "line", I can say that I love to paint with oil
(Oil in canvas, 20 in. x 27 in., Price: $ 1,620)
I love to study the Masters and learn from them. Gustav Klimt is one of my favorites
(Oil in canvas, 8 in. x 10 in., Price: $ 880)
Departing from a Master's ideas is a good for learning but you must pay tribute to them
(Oil in canvas, 10 in. x 8 in. each, Total Price: $ 1,200 )
My interpretation of Wheatfield with Crows
(Oil in canvas, 8 in. x 10 in., Price: $ 880)
My interpretation of Impresion: Sunrise
(Oil in canvas, 8 in. x 10 in., Price: $ 880)
The trick on this one was that I had to use only two colors
(Oil in canvas, 8 in. x 10 in., Price: $ 780)
Once again, playing to work just with two colors
(Oil in canvas, 8 in. x 10 in., Price: $ 780)
Quick painting after a whole day at the beach with the family, when the colors are still fresh in the retina
(Oil in canvas, 8 in. x 10 in., Price: $ 780)
Inspired by a sculptured maid by my niece, Lucila Diebra, about how we can let our ideas flow despite feeling gaged and blinded